Mounting multidisciplinary artist Kapwani Kiwanga will signify Canada at the Sixtieth Venice Biennale, to just take spot April 20–November 24, 2024. Kiwanga is the to start with Black woman to obtain a solo exhibition at the Canadian Pavilion and the next Black artist to so do, just after Stan Douglas, who represented Canada at the Biennale in 2022. Information of her selection was announced jointly by Nationwide Gallery of Canada, which commissions the pavilion commissioner, and the nonprofit National Gallery of Canada Foundation, which sponsors the effort.
The Canadian-born Paris-based Kiwanga functions throughout media like video clip, installation, audio, general performance, and sculpture her investigation-centered follow investigates the histories of marginalized and neglected people. In previous will work, she has focused variously on the transatlantic slave trade, the “lantern laws” imposed in northern US metropolitan areas in the 1700s in buy to prohibit the motion of Black folks, and—perhaps most memorably—the floral preparations showing up at diplomatic situations related to the independence of African countries. Solo exhibitions of her get the job done have appeared at the Electrical power Plant, Toronto New Museum, New York South London Gallery Jeu de Paume, Paris Kunstinstituut Melly (previously the Witte de With), Rotterdam and Haus der Kunst, Munich. Her function appeared in the most important exhibition of the 2022 Venice Biennale. Kiwanga is the recipient of Canada’s prestigious Sobey Artwork Award (2018), France’s Prix Marcel Duchamp (2020), and the Zurich Artwork Prize (2022), among the other honors.
Gaëtane Verna, at this time government director of the Wexner Centre for the Arts in Columbus, Ohio, and previously director of the Electric power Plant, will curate Kiwanga’s exhibition.
“Kapwani Kiwanga delves into the archives of the globe and conducts in-depth investigate that is woven elegantly through her artworks,” claimed Verna in a assertion. “She is intrigued in the purpose of art as a catalyst for revealing and addressing different and typically silenced, marginalized sociopolitical narratives that are aspect of our shared histories.”