We Do Art Right
By Cory Korkow, Curator of European Paintings and Sculpture, 1500–1800 Figure 1. A Party in the Open Air, c. 1590–95. Isaac Oliver (French, c. 1565–1617). Watercolor and body color, with…
Deidre Hamlar, CMA’s Curator at Large, reflects on her daily experience stewarding the legacy of one of America’s most prolific artists. I have a dream job. I work every day…
By Emily J. Peters, Curator of Prints and Drawings Prized for its brilliant coloring and matte surface, the pastel medium was used by artists in Europe as early as the…
By William H. Robinson, Paul J. and Edith Ingalls Vignos Jr. Senior Curator of Modern Art The Cleveland Museum of Art has recently acquired one of James Tissot’s finest paintings,…
By Dean Yoder, Senior Conservator of Paintings and Head of Paintings Conservation Venus Identifying the Useless Adonis, a person of the most vital and potent Italian Baroque paintings in the…
In her debut solo museum exhibition, “Gratiot Griot,” seventy-year-old mixed-media collage artist Judy Bowman pays tribute to the community that raised her. A child of Detroit’s historic Black Bottom neighborhood—which…
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