At initially look, these failed to fairly seem like Mike Lee performs. The colour palette is there, that practically technological precision is there, like electronic prints hand-painted. But what employed to be far more figurative has turn out to be illusions of everyday living, a trace of a figure but ghostly. It is practically as if he is at a battle with his applications, to comprehend what to clearly show and what to go away to an imagination. The success are thrilling for an artist with a masterful hand and ingenuity in his method for decades now.
“Gaming culture was a big aspect of my adolescence and a kind of escape,” Lee claims. “As a baby, the fascination with war was tied to a stage of fantasy and pleasure, but approaching adulthood I designed a superior knowledge of the real consequences. The increase of the world wide web and access to popular info delivered me an perception to the immense catastrophes as effectively as the discrepancies of the media’s encapsulation of reality.”
His solo display, No Man’s Land, on perspective at 50 % Gallery in NYC, feels assured and delberate in his new concentration on area and story. It really is a quiet nod to conflicts in lifestyle and in politics, also an comprehension that humanity has shifted more than the class of the last 3 a long time. Lee is up for the obstacle of the moment. —Evan Pricco