Giulia Zompa is a closing 12 months Ph.D. Pupil in Up to date Art Heritage at the University of Milan (Italy). Her doctoral analysis focuses on the Italian inventive problem between the 1980s and 1990s taking into thought, as a case analyze, what happened at the exhibition level in the metropolis of Milan.
Giulia done her research at the College of Florence and at the College of Milan, where by she earned her BA and MA degrees cum laude. Her present interest in this new Italian art scene is similar to her learn’s diploma thesis (defended in March 2020) entitled “Young Italian Art “in Milan (1984-1986). Her publications are devoted to those people key analysis subject areas (Art of the 1980s and 1990s, background of exhibitions) but she is also definitely fascinated in the neo-avantgardes of the 1960s and 1970s. She actively collaborates with the Section of Art Historical past and Criticism at the University of Milan keeping lectures and seminars. All through the previous yrs, Giulia has also collaborated with distinct galleries. Also, from Oct 2021, she is the Founder and Director of Micro_Mosso, a cultural undertaking that shares and promotes contemporary artwork with meetings and Training Lab.
As a fellow at CIMA, Giulia will concentration on this means and position of playfulness in Bruno Munari’s exercise. Bruno Munari has committed a huge section of his resourceful exercise to the act of playing: from the creation of children’s games and ‘game-books’ to the progress of academic workshops that set playing at the coronary heart of a new system. Giulia will try to trace the evolution of Munari’s method to the concept for the duration of his profession, outlining the features that display continuity and people that signal change. Moreover, she will study the doable cultural references that have fostered Munari’s curiosity in participate in and the progressive awareness of its likely social function.
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