Juxtapoz Magazine - Nicolas Party's "Cascade" of Color on the Edge of Time

Pastels and portals. Colour and cosmic waves. It can be 2023 and I think Nicolas Occasion is a little bit of a time-traveler. Spirituality in his is effective, which seem to be be in ode to a religious set of traditional artwork regulations but produced fully his possess, would seem to have a dialogue of what faith would be in the long term. In Cascade, his new solo present at Xavier Hufkens in Brussels, the shades, styles, objects, paintings, all glimpse like long run relics. And a overall performance when all place alongside one another. “I make work in the studio. I see the gallery as the stage, and for me, it is variety of hard to just get on a raw stage,” Social gathering mentioned to us in 2021. “I want to make modifications to welcome the paintings, so, in result, they can act in a better way. If they go to another vacation spot, which is up to that human being mainly because they can perform by by themselves.”

As the gallery notes, “If Party’s huge pastel triptychs mirror the scale of historical altarpieces, then his oil-on-copper cabinets are analogous to the little portable paintings, or icons, that ended up traditionally made for private worship. He also reproduces the grisaille paintings that usually adorn the reverse of these historical artefacts.” In all his imagery, the pastels and the big totem like heads and the preference of mural colours on the partitions to the arches on the doorways, Celebration is creating portals for us to walk by way of the edges of time, backwards and forwards. There is no existing, just a transformation. Moths and waterfalls in the works mirror that transformation, and Celebration is painting exactly where time simply cannot go. —Evan Pricco

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